Fettuccine and a Foot, Trevi and Tomatoes and Smiling Sauce are digital collages from my personal archives, created for Nah, You’re Not, an exhibition exploring the imbalance between my strong connection to my Italian heritage and deep disconnect to my Aboriginal culture.
Dots on Pasta is a hanging sculpture that was created for Nah, You’re Not, an exhibition exploring the imbalance between my strong connection to my Italian heritage and deep disconnect to my Aboriginal culture.
Film still from single-channel video.
Captured through a reverse camera in a car, ReverseMe utilises progressive technology to comment on feelings of stagnation. Pain and frustration are familiar products of a lack of progression. Recorded in one take, this two minute video work is a raw account of taking a few steps forward, yet inevitably being pushed back by the moving car. Accompanied with audio of internal dialogue, doubt becomes concrete and any sense of progress for the main subject dissipates.
If you wish to view the full video, please contact me.
Film stills from single-channel video.
The pain, frustration and difficulty with intimacy, impacted every relationship I had. A continuous cycle of no progress and no answers accumulated.
If you wish to view the full video, please contact me.
Film stills from single-channel video.
Hey YOU! How are YOU doing over there? Do YOU need a solution to vaginismus and pelvic pain? Watch this easy-to-follow exercise video to relieve your pain immediately!
If you wish to view the full video, please contact me.
Nice to meet you, let’s shake hands and both pretend you didn’t just grab onto my drenched handful of salty, moist sweat beads that have now flooded your own palms.
Collages from my own found imagery create odd creatures, symbolizing the alienating feeling of hyperhidrosis, especially when meeting someone for the first time.
Film stills from single-channel video.
The uneven terrain, combined with the unsteady, unsuitable footwear makes for a difficult journey. Similarly, for Stradbroke Island locals, the large presence of sand mines and the contradictions they produce, make for a confusing situation. The bare foot, communicating closely with the land, is the ideal footprint that humans should have with the island. As this is far from reality, our heels stubbornly sink into the ground.
If you wish to view the full video, please contact me.
Still image from single-channel video.
This video installation is an immediate response to feelings of confusion associated with the transition into adulthood. Resisting to complete multiple adult tasks, I question structures of society I am asked to follow as an adolescent. Drawing on notions of nostalgia, I began to play in front of the camera in familiar places, developing a new autonomy beyond expectations of society.
If you wish to view the full video, please contact me.
In 2013, I received my first camera. The only images I captured were of flora and fauna. Very blurry images of flora and fauna. I found my collection from 2013 and decided to cut the images up to recreate new shapes on a piece of old matboard.
Film still from single-channel video.
An experimental DADA approach to video art.
Tourism
This image was part of an exhibition held at the Gold Coast Commonwealth Games, 2018.
